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2008

Once On This Island, Lynn Ahrens and Stephen Flaherty.
Star Tribune: "The powerful myth shines through in this joyous telling of a sweet love story."
Pioneer Press: "It's well worth lingering on this musical's shores."
City Pages: "I've seen few pieces of recent theater so pleasurable to watch and admire."

Eurydice, Sarah Ruhl.
Pioneer Press: "Something lingering for the heart and soul."
City Pages: "It's phenomenally moving stuff."

 
1999 The Tempest, William Shakespeare.
A look at the power struggles on Prospero’s wild and magical isle, with audiences who often find themselves with very little power in our society.
Pioneer Press: #3 in Top Ten List of 1999: “A crackerjack production, blisteringly funny, elegantly accessible and pulsing with life.”
Star Tribune: “As compelling a production as you are likely to find.” (12/99)

The Unsinkable Molly Brown, Meredith Wilson.
A fairy tale of an impoverished woman whose every desire, for both riches and love, is satisfied. A traditionally lavish and gaudy musical stripped down to human scale.
Star Tribune: Best Productions of 1999; Pulse: “One of the best tickets in town. . . The acting ensemble works together completely unselfishly . . . . Hensley is very gifted with her vision for her company, and knows exactly how to engage her audiences with a delightful physical style, yet without losing the work’s heart and honesty.” (6/99)

1998 Measure for Measure, William Shakespeare.
A look at the bumbling attempts of humans to dispense justice, with many in the audience having had recent contact with our own criminal justice system.
City Pages: #3 of the 5 Most Exquisite Productions of 1998, “TTT, with Hensley’s direction and consistently top-notch casts, puts on some of the strongest plays in town;”
St Paul Pioneer Press: “A sharp investigation of an extremely tricky play. . . Hensley makes quietly urgent stuff of every scene;” Pulse: “An impeccably professional ensemble; a vibrant and engaging company;”
Focuspoint: “One of the best stagings of Shakespeare in recent memory.” (11/98)

The Ballad of the Sad Cafe, Edward Albee, Carson McCullers.
A strange and cruel love triangle between a dwarf, an ex-con and a giant woman; an honest look at the devastating dangers of opening one’s heart.
MN Monthly: “At the end of the Day Center performance, the audience burst into wild applause . . . As a parting comment, one man rose and said, ‘That was the best movie I ever saw.’ (6/98)

1997 The Emperor of the Moon, Aphra Behn.
A wild 17th-century romp to foil a woman who locks up her daughter in hopes she will one day marry the Emperor of the Moon. With commedia-style audience interaction and “Moon Songs” of the 1940s.
City Pages: “Serious theaters rarely aspire to or achieve such artistry.” (11/97)

Days Are Silver Nights Are Gold, Erik Ehn.
A new play, developed in workshops with homeless women and their children, about addiction, to both drugs and money, and losing one’s child to foster care. (No reviews) (5/97)

1996 The Caucasian Chalk Circle, Bertolt Brecht.
A look at the struggles of a poor woman to support her child in violent and dangerous times, with audiences facing similar hardships.
City Pages: “Brecht would approve. . . One of the most memorable theatergoing experiences I’ve had of late.” (11/96)

Mud, Irene Fornes.
A look at the struggles of an impoverished rural woman to teach herself to read while caring for two men who are completely dependent on her. Performed at adult literacy centers. (No reviews)* (5/96)

1995 The Queen Stag, Carlo Gozzi.
A gender-reversed adaptation of The King Stag, as a queen goes on a magical, soul-shifting quest to find an honest and loyal lover. Performed for low-income women.
performance twincities: “Ten Thousand Things serves up the fun in bucketfuls. . . . I like the life this troupe has breathed into the tired old lungs of our theater. (11/95)
1994 Life’s A Dream, Calderon de la Barca.
The stars have predicted a young prince will become a violent, bestial man; he must struggle to prove the fates are wrong and gain his rightful crown. Performed for youth-at-risk. (No reviews)* (11/94)

1992 Electra, Sophocles.
A young woman is betrayed, as her mother murders her father, and is consumed by her desire for revenge; performed for youth in L.A. juvenile prisons, who effortlessly entered the world of Greek tragedy, being already quite familiar with the betrayal-revenge cycle. (No reviews)* (5/92)

1991 The Good Person of Szechwan, Bertolt Brecht.
A prostitute receives a gift of gold from the gods, and struggles to help her poor friends, while remaining financially solvent herself. Performed at L.A. homeless shelters.
L.A. Weekly: “A soaring, minimalist smash.” (5/91)* It took a few years for us to get critics to come, but now most of them are comfortable coming to the prisons, and know they will see good theater there!
City Pages, Top Theater Stories of 1998, #2 Story: “We wish everyone could experience the immediacy of a Ten Thousand Things performance in Hennepin County Women’s Prison. The troupe performed Aphra Behn and Shakespeare in a small cafeteria, surrounded by inmates sitting on the edge of their seats, talking back to the actors, screaming with laughter. Theater should be allowed to do no less.”

2007

Richard III, William Shakespeare.
Star Tribune: Outstanding Small Theater Production, Outstanding Actor Performance - Bob Davis. "Intimate, articulate, so emotionally honest that we wait achingly for each line, this staging affirms another personal opinion: Ten Thousand Things produces this community's best Shakespeare."

Little Shop of Horrors, Howard Ashman.
Star Tribune: Top Three Small Stage Theater Picks of the summer.
Pioneer Press: “Whatever TTT lacks in stage wizardry, they make up for in skill, craft and pure pluck…[TTT’s actors] each give their characters fresh, vibrant coats of honesty and humanity...if you want to see seven fine performers having a really good time on a set made out of rebar and tinfoil, this is the show for you!”

Blood Wedding, Federico Lorca. Guest directed by Juliette Carrillo.
The Rake:
“Deeply poetic yet also accessible, this play sets up a gut-punching war between the heart’s passion and the human brain’s limited capacity for reason.
Star Tribune: “The show, with its actors playing real people and manipulating puppets, plays out like a mastery of miniature.”

 

 
2006

Merchant of Venice, William Shakespeare.
Took a close look at the often difficult consequences of taking risks with money and love.
Star Tribune: Outstanding Small Theater Production, Best Actor Performance: Steve Hendrickson as Shylock. "Ten Thousand Things finds rich human subtlety in The Merchant of Venice… This terrific staging reflects in its characters our own shortcomings and complexities. What a treat." (11/06)

Red Noses, Peter Barnes. Guest directed by Larissa Kokernot.
Pioneer Press: "The bubonic plague as a laugh riot. Who knew? . . A well seasoned feast, contributing a variety of flavors and textures, from sweet and savory to crisp and creamy." (5/06)

In A Garden, Gertrude Stein.
Pioneer Press, Top Ten: "Especially daring . . . an hour long play date with three very inventive, rambunctious children." (3/06)

 

 
2005

Antigone, adaptation by Emily Mann
Star Tribune: "This is an urgent and raw production that muses on the delusion of absolute power."
Pioneer Press: "(Mann’s script is) succinct, straightforward and clear without feeling like some sort of Classics Illustrated…..this adaptation should immediately become the standard for all high schools interested in staging the Greek tragedy.”
City Pages’ #2 on Top Ten of 2005 List;
Star Tribune’s Outstanding Production by a small theater.


Ragtime, Terence McNally.
The intersecting lives of American families from New Rochelle, Harlem and Latvia at the turn of the last century.
Pioneer Press: “How tiny TTT ever dared imagine it could do justice to the musical Ragtime is utterly beyond me. But it does so. And spectacularly.”
Star Tribune: “No collection of words, however eloquent, can convey the glee, tears, goosebumps and spiritual transformations that radiated [from the audience at the women’s prison].”
Pioneer Press’ #4 on To Ten 2005 List

Iphigenia, Euripides, guest directed by Theodora Skipitares.
A look at the price of going to war, using actors and puppets.
Star Tribune: “Theater companies often prattle on about their current productions having ‘an amazing relevance for today’s times.’ In Iphigenia, Ten Thousand Things actually delivers.”
Star Tribune’s Outstanding Production by a small theater, 2005

 

 
2004

Cyrano de Bergerac, Edmond Rostand.
A swashbuckling hero with an enormous nose struggles with his fears that he is unworthy of being loved.
Star Tribune: Outstanding Small Theater Production of 2004!”
Pioneer Press: #2 in Top Ten, “An intimate, achingly lovely staging.”

The Winter’s Tale, William Shakespeare.
A look at the intersection of love, obsession, and the magical possibilities of faith.
Pioneer Press: (#7 in Top Ten)“a dazzlingly immediate production . . . Offers much of the best of what Shakespeare and the theater can be.” (5/04)

At Your Service!, Kevin Kling.
Based on Japanese Kyogen tales, an unusual look at the plusses of being a servant, and ways of escape through good stories.
Star Tribune: “A zesty joie de vivre!”
City Pages: “A hugely enjoyable show.”

 

 
2003

The Good Person of Szechwan, Bertolt Brecht.
For its tenth anniversary season, the company returned to the story about struggling with little money that started it all.
Pioneer Press: Number 5 in 2003 Top Ten List: “All the all marks of the best TTT productions . . Some of the best actors in town . . . set off on a journey of great clarity and vision.”
Star Tribune: Nominated for 2003 Best Ensemble: “ No wonder the audience was so engaged.” (11/03)

Carousel, Rogers & Hammerstein.
A fresh look at this story of the hard lives of workers in a Maine fishing village, and how the consequences of the choices they make play out.
Pioneer Press: “The wonderful thing about TTT’s production is that it makes you think deeply. . . . When Hensley decides to take on a musical, she can get slyly subversive.” (5/03)

The Island, Athol Fugard.
Two prisoners on Robins Island in South Africa put on the play Antigone for their fellow inmates.
Star Tribune: “The play blossomed through the heart and skill of actors James Austin Williams and James Young.”

 

 
2002

King Lear, William Shakespeare.
The story of a king’s journey to the bottom, echoed by similar downward spiraling journeys of many other characters.
“The acting is superb, as it usually is in TTT productions. . . It has majesty and a measure of grace. -- Pioneer Press (12/02)

Anna Bella Eema, Lisa D’Amour.
A 10 year old girl, her reclusive mother and a mud doll face eviction from their trailer park home.
“Hensley and D’Amour tap into the alienation that results from a sense of powerlessness in this challenging, dense work.” -- Star Tribune (6/02)

Miss Julie, Strindberg.
The battle between the classes and the battle between the sexes come to life in the brief intense affair of a young aristocratic Swedish woman and her father’s valet.
“Norah Long is superb in Miss Julie title role” -- Star Tribune (2/02)

 

 
2001

The Furies, Aeschylus.
The story of the string of murders in the house of Atreus asks if one can live with huge injustice without wanting revenge.
Pioneer Press: “With a superb adaptation by director Michelle Hensley and Lisa D’Amour and a stellar cast, this is production that grabs you by the scruff of the neck and gives you a good hard shake.” (12/01)

The Most Happy Fella, Frank Loesser.
Through the awkward romance Tony, an old Italian immigrant to the Napa Valley, and Rosabella, a waitress from San Francisco, a look at how fear gets in the way of the abundance that unconditional love has to offer.
Top 10 Lists of City Pages and Pioneer Press: “A smart, nuanced, big-hearted reading that’s by turns joyous, knock-down funny and almost unbearably poignant.” (6/01)

Waiting For Godot, Samuel Beckett.
Two tramps wait endlessly for the arrival of someone to change their lives, performed for audiences who know all too well the meaning of the verb “to wait."
Star Tribune: “[It] might be a difficult play, but the inmates at Roseville “got it” from the start of TTT’s production. . . Sciple leads a talented cast on a romp. . . always appreciating Beckett’s sense of whimsy for the absurd in every day situations.” (2/01)

 

 
2000 Cymbeline, William Shakespeare.
A fairy tale about the difficulty of keeping faith in hard times.
Pioneer Press: #6 in 2000 Top Ten “TTT’s Cymbeline challenges itself and its audiences to their highest and best calling. . . Makes the essence of Shakespeare come brilliantly to life for its audiences.” (12/00)

The Three Lives of Lucie Cabrol, John Berger.
The tale of a small, odd French peasant woman who is rejected by her family and her village, and must struggle to survive on her own in the mountains, and who finally achieves some measure of justice in her third life, in the land of the dead.
City Pages: “A triumph!” (#1 in the Top Ten Shows of 2000)
Pioneer Press: “A play that has vitality beyond the energies of the artists involved . . . Hensley directs with simplicity and grace . . . For the inmates, the story of a woman ostracized and imprisoned by circumstance was far from metaphorical, and seeing the connection between audience and play was an art form unto itself.” (5/00)
 
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